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Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
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Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
Axenfeld, 1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
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Media ID 14945093
© The Print Collector / Heritage-Images
Ja Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneill James Mcneill Whistler Menpes Model Mortimer L Mortimer L Menpes Mortimer Menpes Posing Signature Smock Tonalism Whistler Work Of Art Artistic Movement Print Collector8
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EDITORS COMMENTS
This photo print, titled "Axenfeld, 1860 (1904)", showcases the artistic brilliance of James Abbott McNeill Whistler. Created in the early 20th century as part of the tonalism movement, this etching plate captures a bearded man named Axenfeld posing for Whistler's artwork. The image portrays Axenfeld sitting with a direct gaze, dressed in traditional 19th-century clothes and a smock. Whistler's signature can be seen on the artwork, adding an authentic touch to this remarkable piece. Whistler was known for his exceptional ability to capture the essence of his subjects through his unique artistic style. In this print, he skillfully depicts Axenfeld's body language and facial expression with great precision. Mortimer L Menpes played a significant role in preserving and publishing Whistler's works during that time period. His collaboration with Whistler resulted in this stunning portrayal of Axenfeld that has now become an iconic work of art. As we admire this print today, it serves as a testament to both Whistler's mastery as an artist and Menpes' dedication to promoting his friend's talent. The monochrome aesthetic adds depth and intensity to the composition while highlighting every intricate detail captured by Whistler’s skilled hand. This print is not only a beautiful representation of artistry but also offers us insight into the rich history behind its creation - reminding us once again why these
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