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A bacchante, a garland on her head, and playing cymbals, set against a black backgrou

A bacchante, a garland on her head, and playing cymbals, set against a black backgrou


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A bacchante, a garland on her head, and playing cymbals, set against a black backgrou

A bacchante, a garland on her head, and playing cymbals, set against a black background inside a rectangular frame, 1795-1820. [Baccante dell Ercolano]

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Media ID 20549431

© Heritage Art/Heritage Images

Agapito Agapito Franzetti Ancient City Bacchante Cymbal Cymbals Cymbals Player Franzetti Franzetti Agapito Garland Herculaneum Maenad Wall Painting Ancient Roman Cunego Greek Mythology Musical Instruments Roman Mythology


FEATURES IN THESE COLLECTIONS

> Arts > Music

> Europe > Greece > Music

> Europe > Greece > Paintings

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Italy > Campania > Ercolano

> Europe > Italy > Music

> Historic > Ancient civilizations > Ancient Greece > Greek history

> Historic > Ancient civilizations > Ancient Greece > Greek mythology

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print transports us back to ancient Rome, where we encounter a mesmerizing bacchante. With a delicate garland adorning her head and cymbals in hand, she exudes an air of enchantment against the dark backdrop within a rectangular frame. Created between 1795-1820 by Aloysio Cunego, this piece titled "Baccante dell Ercolano" showcases the artist's mastery of engraving. The bacchante, also known as a maenad, embodies the spirit of Greek mythology and Roman culture. Her full-length figure is beautifully captured amidst a sea of flowers and plants that symbolize nature's connection to music and celebration. As she plays her cymbals with grace and fervor, one can almost hear the rhythmic melodies echoing through time. Displayed at The Metropolitan Museum of Art (The Met), this artwork speaks volumes about Italy's rich artistic heritage during the 18th century. Agapito Franzetti's collaboration with Aloysio Cunego brings forth an exquisite fusion of classical themes and contemporary aesthetics. In this monochromatic composition, every detail comes alive - from the intricate engravings on the musical instruments to the flowing drapery that envelops our bacchante. It serves as a reminder that art has no boundaries when it comes to transcending time and space. As we gaze upon this remarkable image, we are transported into a world where myth intertwines with reality; where

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