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Bacha à trois Queues, plate four from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder
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Bacha à trois Queues, plate four from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder
Bacha a trois Queues, plate four from Caravanne du Sultan a la Mecque, 1748
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Media ID 36197248
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Caravanne Du Sultan A La Mecque Etching On Ivory Laid Paper Hajj Joseph Marie Le Vien Joseph Marie Vien Joseph Marie Vien The Elder Mecca Mohammedan Moslem Moslems Muslim Muslims Pasha Pilgrimage Rank Turban Turbans Vien Joseph Marie Vien Joseph Marie Comte Vien Joseph Marie I Vien Joseph Marie The Elder Blade Head Dress
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EDITORS COMMENTS
Bacha à trois Queues," or "Three-Tailed Page," is a captivating full-length etching on ivory laid paper by the renowned French artist Joseph-Marie Vien the Elder, created in 1748 as part of his series "Caravanne du Sultan à la Mecque" (The Caravan of the Sultan to Mecca). This intriguing image showcases a bearded man dressed in the traditional clothing of a high-ranking Muslim official or Pasha, adorned with an elaborate headdress and a sword at his side. The man's unique attire includes a long, flowing robe with intricate patterns, a voluminous outer garment, and a distinctive three-tailed headdress, which adds an exotic allure to his appearance. The headdress, known as a "bacha," was a traditional headgear worn by eunuchs and high-ranking officials in the Islamic world during the Baroque era. The etching is believed to depict a man preparing for the Hajj, the Islamic pilgrimage to Mecca, which was an essential religious duty for able-bodied Muslims during this time. The man's beard and the presence of a sword suggest his status and readiness for the journey. This evocative image offers a glimpse into the rich cultural heritage of the Islamic world during the 18th century, providing valuable insights into the fashion, art, and religious practices of the time. The etching is a testament to Vien's exceptional artistic skill and his ability to capture the essence of a bygone era. The Art Institute of Chicago is fortunate to house this rare and captivating work in its extensive collection, allowing us to appreciate the beauty and historical significance of this masterpiece.
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