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Ballroom in Larz Anderson house, Washington D.C. between 1890 and 1940. Creator: Frances Benjamin Johnston
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Ballroom in Larz Anderson house, Washington D.C. between 1890 and 1940. Creator: Frances Benjamin Johnston
Ballroom in Larz Anderson house, Washington D.C. between 1890 and 1940
Heritage Images features heritage image collections
Media ID 36244409
© Heritage Art/Heritage Images
Anderson Larz Banister Bannisters Dupont Circle Entrance Hall Gilded Age Grandeur Larz Anderson Mansion Washington Washington Dc Fb Johnston Frances B Johnston Frances Benjamin Johnston Frances Johnston Interior Design Johnston Frances Benjamin
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This stunning photograph captures the grandeur of the Ballroom in Larz Anderson House, located in the heart of Washington D.C. between 1890 and 1940. The image, taken by renowned American photographer Frances Benjamin Johnston, showcases the intricate architectural details of this historic mansion, which was home to Danish-American diplomat Larz Anderson and his wife Isabelle Brinton Anderson. The photograph reveals the impressive entrance hall leading to the ballroom, adorned with ornate bannisters and a sweeping staircase. The room itself is a testament to the opulence of the Gilded Age, with its high ceilings, ornate moldings, and elegant chandeliers. The large windows let in natural light, illuminating the room and adding to its sense of grandeur. The Larz Anderson House, also known as the Anderson House, is a National Historic Site located in the Dupont Circle neighborhood of Washington D.C. It was designed by American architect Charles Platt and completed in 1905. The house is a prime example of the Beaux-Arts style, which was popular during the late 19th and early 20th centuries. This photograph is a valuable historical record of the Larz Anderson House during the early 20th century. It is part of the Frances Benjamin Johnston Collection at the Library of Congress, which documents the architectural heritage of America during the 19th and early 20th centuries. The collection includes over 11,000 photographic prints and 350 glass negatives, making it an invaluable resource for scholars, architects, and historians.
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