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Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729


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Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left), c. 1729. Attibuted to Torii Kiyomasu II

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Media ID 24378009

© Heritage Art/Heritage Images

Fashionable Hand Coloured Woodblock Print Hanzaburu Heizaburo Heizaburu Kimonos Kiyomasu Ii Kiyomasu Torii Shiro Tori Kiyomasu Ii Torii Kiyomasu Torii Kiyomasu Ii Hand Tinted


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> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Torii Kiyomasu

> Asia > Japan > Japan Heritage Sites > Historic Monuments of Ancient Kyoto

> Asia > Japan > Kyoto

> Asia > Japan > Osaka

> Asia > Japan > Related Images

> Asia > Related Images


EDITORS COMMENTS
This hand-coloured woodblock print, titled "Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left)" offers a captivating glimpse into 18th-century Japan. Created by Torii Kiyomasu II during the Edo period, this exquisite artwork showcases the traditional costumes and fashion of that era. In this uncut hosoban triptych urushi e, three elegant women are depicted in full-length attire, each representing one of Japan's renowned capitals. The woman on the right embodies the grace and sophistication of Edo, while her counterpart in the center personifies Kyoto's timeless beauty. On the left stands a lady who exudes Osaka's vibrant energy and style. The intricate details captured through block printing techniques bring these figures to life with vivid colors and delicate patterns adorning their kimonos. Every fold and contour is meticulously rendered, showcasing both artistic skill and cultural significance. As we admire this heritage art piece from Torii Kiyomasu, we are transported back in time to an era where fashion was not merely clothing but a reflection of social status and regional identity. Through his masterful craftsmanship, Kiyomasu immortalizes these beauties as symbols of their respective cities' allure. Displayed at the Art Institute Chicago's Asian Arts gallery, this print serves as a testament to Japan's rich artistic legacy. It invites us to appreciate not only its aesthetic appeal but also its historical context within Japanese society during the Tokugawa

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