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Birds Gather under the Spring Willow, late 1400s-early 1500. Creator: Yin Hong (Chinese, c

Birds Gather under the Spring Willow, late 1400s-early 1500. Creator: Yin Hong (Chinese, c


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Birds Gather under the Spring Willow, late 1400s-early 1500. Creator: Yin Hong (Chinese, c

Birds Gather under the Spring Willow, late 1400s-early 1500. A great variety of birds, including the peacock and peahen, are portrayed in a natural setting. The grandiose scale of this work suggests its was originally used as interior decoration. Its possibly part of a set depicting flowers and birds of the four seasons; this is the spring scene. When used in the imperial context, works of similar type may constitute part of a large composition with the theme of " one hundred birds admiring the phoenix, " which provided a metaphor for human society and an idealization of hierarchical order under the imperial rule. The artist Yin Hong was a court painter and the third generation of a painters family that served in the Ming imperial court

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Media ID 19621297

© Heritage Art/Heritage Images

1368 1644 1500 Hanging Scroll Ink And Colour On Silk Ming Dynasty


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> Animals > Birds > Peacock

> Europe > United Kingdom > England > Cleveland

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings


Birds Gather under the Spring Willow, late 1400s-early 1500

EDITORS COMMENTS
. This print captures a mesmerizing scene from ancient China's Ming dynasty. Created by the talented court painter Yin Hong, this artwork showcases a grandiose depiction of various birds in their natural habitat, set against the backdrop of a magnificent willow tree. The exquisite details and vibrant colors bring to life an array of bird species, including the majestic peacock and peahen. It is believed that this piece was originally intended for interior decoration due to its impressive scale. Furthermore, it might have been part of a larger series illustrating flowers and birds representing each season; here we witness the enchanting beauty of spring. In imperial contexts, similar artworks like this one often formed part of elaborate compositions known as "one hundred birds admiring the phoenix". These compositions symbolized human society and idealized hierarchical order under imperial rule. The metaphorical significance adds depth to Yin Hong's masterpiece. Yin Hong himself hailed from a prestigious lineage of painters who served in the Ming imperial court. His artistic prowess shines through in every brushstroke, revealing his mastery over ink and color on silk. Preserved at The Cleveland Museum of Art, this heritage painting stands as a testament to China's rich cultural history during the Ming dynasty. Its timeless beauty continues to captivate viewers today with its harmonious portrayal of nature and symbolism embedded within its composition.

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