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Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island
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Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island
Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island, April 12, 1814
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Media ID 19987718
© Heritage Art/Heritage Images
1st Consul Bonaparte Bonaparte Bonaparte General Bonaparte Napoleon Bonaparte Napoleon L Emperor Of France Bonaparte The Corsican Boney Buonaparte Donkey Emperor Napoleon Firs First Consul Bonaparte Fool Funny General Bonaparte Gibbet Livorno Napoleon Napoleon 1 Napoleon 1st Napoleon Bonaparte Napoleon Bonaparte I Napoleon Buonaparte Napoleon I Napoleone Di Buonaparte Napoleonic Wars Rowlandson Rowlandson Thomas T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Rowlandson Thomas Tegg Tuscany Elba Island Hand Coloured Hand Tinted
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Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island (Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island, April 12,1814)
EDITORS COMMENTS
is a captivating hand-colored etching by Thomas Rowlandson that takes us back to the early 19th century. This satirical artwork depicts Napoleon Bonaparte, known as "Boney" in a comical and ironic light. The scene unfolds on Elba Island off the coast of Livorno, Tuscany, where Napoleon was exiled after his abdication as Emperor of France. In this whimsical portrayal, we see him transformed into a donkey-like figure with butcher's tools hanging from his belt. The island itself has been humorously renamed "Scarecrow Island" suggesting that it serves as both a place for Napoleon's retirement and an amusing punishment for his past actions. Rowlandson's clever use of color adds depth and vibrancy to this piece. The hand-tinted details bring out the absurdity in Napoleon's appearance while highlighting the surrounding landscape with its rolling hills and serene coastline. This artwork reflects not only Rowlandson's artistic talent but also captures the political climate at that time. It mocks Napoleon's downfall and emphasizes Britain's victory over their former enemy during the Napoleonic Wars. Displayed at The Metropolitan Museum of Art, this print stands as a testament to Rowlandson's wit and creativity while providing viewers with an intriguing glimpse into history through art.
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