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Blue Beard Tableau: Fatima Enters the Forbidden Court; What She Sees There; D
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Blue Beard Tableau: Fatima Enters the Forbidden Court; What She Sees There; D
Blue Beard Tableau: Fatima Enters the Forbidden Court; What She Sees There; Disposition of the Bodies (Invisible to the Spectators) (Harpers Bazar, Vol. I), September 5, 1868
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Media ID 20378334
© Heritage Art/Heritage Images
Closet Cook Fairy Story Fairy Tale Harper And Brothers Harper And Brothers Publishers Harper Brothers Harper Brothers Publishers Harpers Bazaar Harpers Bazar Heads Homer Homer Winslow Magic Optical Illusion Poem Severed Head Theodore Trick Trompe Loeil Winslow Winslow Homer Bluebeard Poetry Wood Engraving
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EDITORS COMMENTS
This 19th-century print, titled "Blue Beard Tableau: Fatima Enters the Forbidden Court; What She Sees There; Disposition of the Bodies" takes us on a journey into the realm of mystery and enchantment. Created by an unknown artist and published in Harpers Bazar in September 1868, this wood engraving transports us to a time when fairy tales held great allure. The image depicts a pivotal moment from the famous Blue Beard story, where Fatima bravely enters the forbidden court against her husband's wishes. As she cautiously steps forward, we are left to wonder what awaits her behind those closed doors. The scene is filled with tension as our eyes are drawn to a key hanging ominously above her head. With its intricate details and masterful use of trompe l'oeil (optical illusion), this artwork showcases the talent of Theodore Pease Cook, one of America's renowned illustrators during that era. The composition skillfully captures both fear and curiosity through its portrayal of hidden bodies within the room, invisible to spectators but known only to Fatima herself. Displayed at The Metropolitan Museum of Art today, this piece continues to captivate viewers with its magical ambiance and evocative storytelling. It serves as a reminder that literature has always had the power to transport us into fantastical realms where imagination knows no bounds.
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