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Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)", c. 1820
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Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)", c. 1820
Blue Shell (Aogai), from the series " Five Colors (Goshiki no uchi)", c. 1820
Heritage Images features heritage image collections
Media ID 24374944
© Heritage Art/Heritage Images
Abalone Shell Desk Hanji Hanjiro Manno Masayuki Mother Of Pearl Paperwork Ryukaen Ryuryukyo Ryuryukyo Shinsai Scrutoire Shelf Shell Shelves Shikishiban Surimono Shinsai Shinsai Ryuryukyo Surimono Tables Teapot Writing Desk Writing Table Colour Woodblock Print
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This print titled "Blue Shell (Aogai), from the series 'Five Colors (Goshiki no uchi)', c. 1820" takes us back to the enchanting world of 19th-century Japan. The image showcases a delicate abalone shell, known as aogai in Japanese, meticulously depicted through the art of woodblock printing. The composition is set on an elegant writing desk adorned with shelves displaying various literary works and decorative objects. A woman, dressed in traditional attire of the Edo period, sits at the table engrossed in her studies or perhaps indulging in some peaceful tea time. The attention to detail is remarkable; every fold of her kimono and every brushstroke on the wooden furniture are beautifully captured. The use of vibrant colors adds depth and richness to this artwork, showcasing the mastery of Shinsai Ryuryukyo, a renowned artist from that era. The intricate patterns created by mother-of-pearl enhance its allure further. This piece not only reflects the artistic excellence prevalent during Japan's Tokugawa period but also offers a glimpse into everyday life during that time. It invites us to appreciate both the beauty found within nature and human creativity. Displayed at an art institute gallery like Chicago's Art Institute, this photograph print serves as a testament to our enduring fascination with Japanese heritage art and its ability to transport us across centuries into another world filled with grace and tranquility.
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