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Bust of Saint Mary (formerly entitled Madonna), c.1381-c.1425. Creator: Lorenzo Monaco
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Bust of Saint Mary (formerly entitled Madonna), c.1381-c.1425. Creator: Lorenzo Monaco
Bust of Saint Mary (formerly entitled Madonna), c.1381-c.1425
Heritage Images features heritage image collections
Media ID 36334779
© Heritage Art/Heritage Images
Biblical Scene Devotion Devotional Don Lorenzo Monaco Giovanni Piero Di Lorenzo Degli Angeli Lorenzo Monaco Mary Virgin Monaco Don Lorenzo Monaco Lorenzo Notre Dame Du Folgoet Our Lady Of Folgoet Our Lady Of Mariazell Our Lady Of Refuge Piero Di Giovanni Saint Mary St Mary Stella Maris Tempera On Panel The Virgin Mary Virgin Mother Mother Of God Santo Tempera
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EDITORS COMMENTS
This exquisite Bust of Saint Mary, also formerly known as the Madonna, is a 14th-15th century masterpiece by the renowned Italian painter Lorenzo Monaco. The artwork, believed to have been created between 1381 and 1425, is a testament to the artistic and devotional traditions of the time. The image depicts the Virgin Mary, the mother of Jesus, in a contemplative pose, her head turned slightly to the side as if in deep reflection. Her golden halo is adorned with intricate designs, and her face, with its delicate features and expressive eyes, conveys a sense of serenity and grace. The background is simple, with a dark, textured surface that emphasizes the vibrant colors of Mary's robes and the golden tones of her halo. The Madonna's left hand rests on her chest, in a gesture of prayer or blessing, while her right hand is raised in a protective gesture, offering shelter and refuge to those who seek her intercession. This image of Mary as Stella Maris, or the Star of the Sea, was a popular devotional theme in Europe during the Middle Ages, and this painting would have been a cherished possession for those seeking her protection and guidance. The artwork was once part of the collection of the Abbey of Notre Dame du Folgoet in Brittany, France, and is now housed in the Rijksmuseum in Amsterdam, the Netherlands. It is a rare example of the artistic exchange between Italy and the Low Countries during the late Middle Ages, and a reminder of the enduring influence of Christian art and culture on European heritage.
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