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Camelry from Alwar, 1903. Artist: Mortimer L Menpes
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Camelry from Alwar, 1903. Artist: Mortimer L Menpes
Camelry from Alwar, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911, at the height of the British Empire to mark the succession of an Emperor or Empress of India. From The Durbar, by Mortimer Menpes. Text by Dorothy Menpes. [Adam and Charles Black, London, 1903]
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Media ID 14993863
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Adam And Charles Adam And Charles Black Alexandra British India Camel Camels Ceremonial Delhi Delhi Durbar Dorothy Dorothy Menpes Durbar Edward Vii Four People Imperialism King Edward Vii King Of Great Britain And Ireland Meeting Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Prince Albert Edward Prince Edward Prince Of Wales Queen Alexandra Rajasthan Royal Event Side By Side Turban Wettin Alwar Headgear Hindoostan Metaphor
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EDITORS COMMENTS
This print captures a momentous event in the history of British India - the Imperial Durbar of 1903. The image, titled "Camelry from Alwar" showcases a stunning display of camels and their handlers adorned in vibrant red ceremonial attire. The photograph was taken by renowned artist Mortimer L Menpes as part of his collection, "The Durbar". The Delhi Durbar was held three times during the peak of the British Empire to commemorate the ascension of an Emperor or Empress of India. This particular gathering marked King Edward VII's proclamation as Emperor, with Prince Edward (later known as King George V) and Queen Alexandra also present. In this mesmerizing scene, four individuals stand side by side, exuding regality and power. Their elaborate turbans and headdresses symbolize their status within Indian society. The camels themselves are not mere animals but metaphors for strength and resilience. Through this photo print, we catch a glimpse into early 20th-century Rajasthan - a land steeped in rich traditions and cultural heritage. It serves as a testament to both Indian royalty's grandeur and Britain's imperial presence on foreign soil. As we admire this remarkable piece from Mortimer Menpes' collection published by Adam and Charles Black in London, let us appreciate its historical significance while acknowledging that it represents an era defined by imperialism rather than endorsing it commercially.
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