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A Capriccio of Roman Ruins, 1727/1729. Creator: Marco Ricci
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A Capriccio of Roman Ruins, 1727/1729. Creator: Marco Ricci
A Capriccio of Roman Ruins, 1727/1729
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Media ID 36301939
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Arches Capricci Capriccio Caprice Cowhide Equestrian Equestrian Statue Leather Marco Ricci Monument Painted Ricci Marco Roman Ruins Ancient Roman Archway Gouache Kidskin
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A Capriccio of Roman Ruins,
EDITORS COMMENTS
a breathtaking gouache on kidskin painting by the renowned 18th-century Italian artist Marco Ricci, invites viewers to explore the enchanting world of ancient Rome. The capriccio, a type of imaginative landscape, showcases a harmonious blend of architectural wonders and natural beauty. The painting depicts a serene landscape dotted with the remnants of ancient Roman ruins. The central focus is an impressive archway, its grandeur undiminished by time, framing a picturesque view of the Roman countryside. The archway's intricate design, with its ornate columns and intricate carvings, speaks to the rich cultural heritage of ancient Rome. Surrounding the archway, figures of people go about their daily lives, adding a sense of scale and liveliness to the scene. A lone equestrian statue stands proudly atop a hill, its majesty undiminished by the passage of time. The painting's color palette, with its earthy tones and muted hues, adds to the sense of timelessness and authenticity. Marco Ricci's masterful use of gouache on kidskin creates a textured and tactile effect, bringing the ancient ruins to life in a way that transcends the two-dimensional limitations of the medium. This painting is a testament to the enduring allure of ancient Rome and the artistic vision of Marco Ricci. A must-see for art enthusiasts, historians, and anyone with an appreciation for the beauty and richness of the past, "A Capriccio of Roman Ruins" is a prized addition to any art collection or gallery. Whether viewed in person at the National Gallery of Art in Washington, D.C., or as a print, this painting transports viewers to a world of ancient wonder and beauty.
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