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Cardinal Ippolito de Medici and Monsignor Mario Bracci, after 1532. Artist: Girolamo da Carpi (1501-1556)

Cardinal Ippolito de Medici and Monsignor Mario Bracci, after 1532. Artist: Girolamo da Carpi (1501-1556)


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Cardinal Ippolito de Medici and Monsignor Mario Bracci, after 1532. Artist: Girolamo da Carpi (1501-1556)

Cardinal Ippolito de Medici and Monsignor Mario Bracci, after 1532. Found in the collection of the National Gallery, London

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Media ID 14899402

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Bolognese School Cardinal Medici Bracci


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> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

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EDITORS COMMENTS
This portrait, created by Girolamo da Carpi in the early 16th century, depicts Cardinal Ippolito de Medici and Monsignor Mario Bracci. The painting showcases the exquisite talent of the Bolognese School during the Renaissance period. Cardinal Ippolito de Medici, a prominent member of one of Italy's most influential families, is portrayed with an air of authority and sophistication. His regal red cardinal robes contrast beautifully against his fair complexion, while his piercing gaze reflects both intelligence and power. Standing beside him is Monsignor Mario Bracci, whose presence exudes humility and loyalty. The artist's meticulous attention to detail is evident in every brushstroke. From the intricate patterns on their garments to the delicate rendering of their facial features, this oil-on-wood masterpiece demonstrates Carpi's mastery as a painter. Housed within the esteemed collection of London's National Gallery, this artwork serves as a testament to Italy's rich artistic heritage. It invites viewers to step back in time and immerse themselves in an era characterized by intellectual curiosity and cultural refinement. Whether admired for its historical significance or appreciated purely for its aesthetic beauty, this portrait captures a moment frozen in time – forever preserving the essence of two remarkable individuals who played significant roles within Italian society during this transformative period.

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