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Carlo Khans triumphal entry into Leadenhall Street, 1783. Artist: James Sayers
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Carlo Khans triumphal entry into Leadenhall Street, 1783. Artist: James Sayers
Carlo Khans triumphal entry into Leadenhall Street, 1783. An Indian potentate sitting astride an elephant with human face and trunk. This is a satire on Charles James Foxs India Bill
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Media ID 15177364
© London Metropolitan Archives (City of London) / Heritage-Images
Charles Fox Charles James Charles James Fox Elephant James Sayers Leadenhall Street Sayers Hindoostan India Bill
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Carlo Khan's Triumphal Entry into Leadenhall Street, 1783 - A Satirical Masterpiece by James Sayers
EDITORS COMMENTS
. This print takes us back to the vibrant streets of 18th century London. Created by renowned artist James Sayers, it depicts an extraordinary scene that is both whimsical and politically charged. At the center of the image, we see Carlo Khan, a fictional Indian potentate, seated atop a majestic elephant with a human face and trunk. This fantastical creature symbolizes power and exoticism while serving as a clever satire on Charles James Fox's India Bill. The bill aimed to reform British control over India but was met with controversy and opposition. Leadenhall Street comes alive in this artwork as people line its avenue to witness Carlo Khan's triumphal entry. Men from all walks of life gather along the road, their expressions ranging from curiosity to amusement. Through Sayer's skillful etching technique, every detail is meticulously captured – from the intricate architecture of Guildhall Library in the background to the bustling cityscape. This caricature serves not only as entertainment but also as social commentary on British politics during that era. It highlights tensions between Britain and India while playfully mocking those involved in shaping national policies. As we gaze upon this historical gem preserved at Guildhall Library and Art Gallery in London today, we are transported back in time to an age where art served as both entertainment and political critique.
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