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Carved china case in Chippendales Chinese manner, 1911-1912. Artist: Edwin Foley

Carved china case in Chippendales Chinese manner, 1911-1912. Artist: Edwin Foley


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Carved china case in Chippendales Chinese manner, 1911-1912. Artist: Edwin Foley

Carved china case in Chippendales Chinese manner, 1911-1912. With a Chinese style Chippendale chair. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd, London, 1911-1912

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Media ID 14949233

© The Print Collector / Heritage-Images

Chippendale Edwin Edwin Foley Foley Georgian Print Collector10 Thomas Chippendale Thomas Chippendale The Elder Vase


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EDITORS COMMENTS
This print showcases a stunning carved china case in the Chippendales Chinese manner, created by artist Edwin Foley in 1911-1912. The intricate craftsmanship of this piece is truly remarkable, reflecting the fusion of British and Chinese design influences during the 18th century. Accompanying this exquisite china case is a Chinese style Chippendale chair, adding to the overall aesthetic appeal. This print is taken from "The Book of Decorative Furniture its Form, Colour and History, Volume II" by Edwin Foley, published by TC and EC Jack Ltd in London. The image transports us back to a time when England was enamored with all things Oriental. The delicate ceramics displayed within the wooden frame evoke a sense of elegance and sophistication that defined Georgian-era interiors. Thomas Chippendale's influence on furniture design cannot be overlooked here. As one of Britain's most celebrated cabinetmakers, his name has become synonymous with refined craftsmanship. His collaboration with Edwin Foley resulted in this exceptional creation that seamlessly blends Eastern motifs with Western sensibilities. This print serves as a testament to both artistic skill and cultural exchange between nations. It invites us to appreciate not only the beauty captured within its frame but also the historical significance it represents – an era where creativity knew no bounds and boundaries were effortlessly transcended through artistry.

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