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Catherine Carey, Countess of Nottingham, c16th century, (1904). Artist: Isaac Oliver I
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Catherine Carey, Countess of Nottingham, c16th century, (1904). Artist: Isaac Oliver I
Catherine Carey, Countess of Nottingham, c16th century (1904). Catherine Carey, after her marriage Catherine Knollys and later Lady Knollys (c. 1524 - 15 January 1569), was chief Lady of the Bedchamber to Queen Elizabeth I, who was her first cousin (or rumoured also to be her half sister by Henry Vlll as Lady Mary was his mistress). From James I. and VI, by T. F. Henderson. [Goupil & Co. Paris, Edinburgh, New York, London, 1904]
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Media ID 14990012
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Catherine Countess Goupil And Co Goupil Co Henderson Isaac Isaac I Isaac Oliver Isaac Oliver I James I James Vi James Vi Of Scotland King James I King James Vi Of Scotland King Of England Muff Oliver Tf Henderson Aristocracy Aristocrat Hairdo Hairdressing Knollys Oval Shaped
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EDITORS COMMENTS
This print showcases Catherine Carey, Countess of Nottingham, a prominent figure in the 16th century. Painted by Isaac Oliver I in 1904, this portrait captures the essence of Catherine's elegance and grace. Catherine Carey, also known as Catherine Knollys or Lady Knollys after her marriage, held the esteemed position of chief Lady of the Bedchamber to Queen Elizabeth I. The connection between these two powerful women was not only that of cousins but also rumored to be half-sisters through their shared relationship with King Henry VIII. The artist skillfully portrays Catherine wearing a stunning British dress adorned with intricate lace details and an exquisite collar. Her hairstyle is beautifully arranged with a bow accentuating her regal appearance. With a direct gaze towards the viewer, she exudes confidence and poise. This monochrome oval-shaped portrait transports us back to the aristocratic world of the 16th century. The delicate features captured by Isaac Oliver I highlight his mastery as an artist. Displayed within this print are symbols representing power and status such as Catherine's muff accessory and her noble title as Countess of Nottingham. This artwork serves as a testament to both historical significance and artistic excellence. Preserved for over a century, this image allows us to appreciate the beauty and grandeur associated with figures from long ago while offering insight into their lives at court during one of Britain's most fascinating eras.
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