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Charlecote Park, Warwickshire, home of the Lucy family, c1880
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Charlecote Park, Warwickshire, home of the Lucy family, c1880
Charlecote Park, Warwickshire, home of the Lucy family, c1880. Charlecote was a manor house built in the 16th century. George Hammond Lucy set about restoring it to its original Elizabethan style after he inherited it in 1823. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris, Volume I, William Mackenzie, London, c1880. Wood-engraved plates after paintings by Benjamin Fawcett and Alexander Francis Lydon
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Media ID 14924804
© The Print Collector / Heritage-Images
Af Lydon Alexander Francis Lydon Alexander Lydon Benjamin Benjamin Fawcett Deer Elizabethan Fawcett Lydon Tudor Warwickshire Aristocracy Aristocrat Charlecote Charlecote Park Country House Print Collector8
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EDITORS COMMENTS
This print showcases the magnificent Charlecote Park, Warwickshire, which was once the cherished home of the Lucy family. Built in the 16th century as a manor house, it exudes an air of aristocracy and grandeur. In this particular image dating back to around 1880, we witness George Hammond Lucy's dedication to restoring Charlecote Park to its original Elizabethan style after he inherited it in 1823. The print is part of a collection titled "A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland" edited by Reverend FO Morris. It features wood-engraved plates created by talented artists Benjamin Fawcett and Alexander Francis Lydon. As we gaze upon this enchanting scene, we are transported back in time to witness the splendorous exterior architecture surrounded by lush gardens. The vibrant colors bring life to every detail captured within this image – from the majestic deer roaming freely on the grounds to the intricate Tudor-style buildings that make up Charlecote Park. This photograph serves as a testament not only to British history but also highlights the beauty and significance of country houses during both the sixteenth and nineteenth centuries. It is a remarkable piece that allows us to appreciate both artistry and heritage simultaneously.
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