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Chinese Junk, 2nd month, 1862. Creator: Utagawa Yoshitora

Chinese Junk, 2nd month, 1862. Creator: Utagawa Yoshitora


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Chinese Junk, 2nd month, 1862. Creator: Utagawa Yoshitora

Chinese Junk, 2nd month, 1862

Heritage Images features heritage image collections

Media ID 20378386

© Heritage Art/Heritage Images

Ink And Colour On Paper Junk Sailing Ships Utagawa Utagawa Yoshitora Yoshitora Yoshitora Utagawa Polychrome Woodblock Print Sailing Ship


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Water Mouse

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > Y > Utagawa Yoshitora

> Asia > Japan > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Transportation > Ships and Boats


Chinese Junk, 2nd month, 1862 - A Glimpse into Edo Period Maritime Trade

EDITORS COMMENTS
. This polychrome woodblock print by Utagawa Yoshitora transports us back to the vibrant world of 19th-century China. Created during the Edo period in Japan, this masterpiece showcases Yoshitora's exceptional talent as a ukiyo-e artist. The print depicts a majestic Chinese junk sailing gracefully across the sea, its colorful sails billowing in the wind. The meticulous ink and color on paper technique brings life to every detail of this maritime scene. From the intricate patterns adorning the boat's hull to the delicate waves beneath it, each element is crafted with utmost precision. As we admire this artwork, we are reminded of China's rich history as a hub for trade and cultural exchange. The junk symbolizes not only transportation but also represents centuries-old connections between nations. It serves as a testament to how ships like these played an integral role in shaping global commerce during that era. Preserved within The Metropolitan Museum of Art's collection, this woodblock print invites us to explore different geographical features and diverse cultures through art. It stands as a remarkable example of heritage art that continues to inspire generations with its beauty and historical significance. Through Utagawa Yoshitora's skillful hands, we are transported on an imaginary voyage aboard this Chinese junk—a journey that allows us to appreciate both artistic mastery and our shared human heritage across time and borders.

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