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Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi, 1507
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Christ Crowned with Thorns, from Speculum passionis domini nostri Ihesu Christi, 1507
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Media ID 20373358
© Heritage Art/Heritage Images
Captive Captivity Crown Of Thorns Hans Hans Sch And Xe4 Hans Schäufelein Hans Schaufelein The Elder Humiliated Humiliating Humiliation Northern Renaissance Pinder Pinder Ulrich Prisoner Sch And Xe4 Schaufelein Schaufelein Hans Schaufelein Hans The Elder The Elder Ufelein Ufelein Hans Ufelein Hans The Elder Ufelein The Elder Ulrich Ulrich Pinder Black And
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EDITORS COMMENTS
This print showcases the profound artwork titled "Christ Crowned with Thorns" by Hans Schaufelein the Elder. Created in 1507 during the Northern Renaissance period, this woodcut piece is a testament to both German craftsmanship and religious devotion. The image depicts Jesus Christ, central figure of Christianity, wearing a crown of thorns in an act of humiliation and captivity. The artist skillfully captures the raw emotion on Christ's face, conveying his suffering for humanity's sins. This powerful portrayal resonates deeply with viewers, evoking empathy and reflection. Hans Schaufelein's attention to detail is evident in every stroke of this woodcut masterpiece. The intricate lines and shading bring depth to the composition while emphasizing the somber mood surrounding Christ's torment. Through this work, Schaufelein invites us into a moment frozen in time - one that encapsulates both pain and redemption. Displayed at The Metropolitan Museum of Art, this print serves as a reminder of our shared human experience across centuries and cultures. It prompts contemplation on themes such as faith, sacrifice, and resilience that transcend time itself. As we gaze upon this remarkable piece from Heritage Art collection curated by Ulrich Pinder, we are transported back to 16th-century Germany where art served as a vessel for spiritual expression. Hans Schaufelein's legacy endures through his ability to capture not only physical likeness but also emotional depth within his subjects – leaving an indelible mark on art history
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