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"Cleveland's entry into Washington - March 4th. 1885.", 1885. Creators: Joseph Keppler, Bernhard Gillam. "Cleveland's entry into Washington - March 4th. 1885.", 1885. Creators: Joseph Keppler, Bernhard Gillam
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"Cleveland's entry into Washington - March 4th. 1885.", 1885. Creators: Joseph Keppler, Bernhard Gillam. "Cleveland's entry into Washington - March 4th. 1885.", 1885. Creators: Joseph Keppler, Bernhard Gillam
"Cleveland's entry into Washington - March 4th. 1885.", 1885
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Media ID 36371371
© Heritage Art/Heritage Images
1800s 1880s 1885 Bernhard Gillam Cleveland Grover Cleveland Stephen Grover Democratic Party Donkey Entry Gillam Bernhard Governor Grover Cleveland Joseph Keppler Keppler Joseph Mayor Political Event Political Party President President Of Usa Puck Republican Republican Party Stephen Grover Cleveland Colour Lithograph Parody Satirical
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Cleveland's Entry into Washington - March 4th, 1885
EDITORS COMMENTS
is a captivating and humorous lithograph print created by the renowned artists Joseph Keppler and Bernhard Gillam. This masterpiece, published in Puck magazine, depicts the inauguration of President Grover Cleveland as he makes his way into the United States Capitol on March 4, 1885. The image showcases a donkey, the symbol of the Democratic Party, carrying a suit-wearing Cleveland on its back. Cleveland's distinctive mustache and the donkey's expressive features add to the lively and satirical nature of the artwork. Surrounding the pair is a boisterous crowd of politicians and onlookers, clad in fashionable attire of the 1880s. The vibrant colors and intricate details bring the historic event to life, making it an essential piece of 19th-century American art and political history. This caricature, published in Puck magazine, served as a parody of the political climate during Cleveland's second term. The Democratic Party donkey, a long-standing symbol of the party, became a popular representation of the party's identity and its association with Cleveland. The print's satirical nature reflects the playful and often contentious nature of political discourse during this period. Today, this piece is an essential addition to any collection of historic American art and political satire. It can be found in the Los Angeles County Museum of Art, where it continues to captivate and educate visitors about the rich history of American politics and the role of satire in shaping public opinion.
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