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Clothing of the unmarried Boyars daughters at the Time of Peter I (From the series Clothing of the Artist: Solntsev, Fyodor Grigoryevich (1801-1892)

Clothing of the unmarried Boyars daughters at the Time of Peter I (From the series Clothing of the Artist: Solntsev, Fyodor Grigoryevich (1801-1892)


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Clothing of the unmarried Boyars daughters at the Time of Peter I (From the series Clothing of the Artist: Solntsev, Fyodor Grigoryevich (1801-1892)

Clothing of the unmarried Boyars daughters at the Time of Peter I (From the series Clothing of the Russian state), 1851. Found in the collection of Russian State Library, Moscow

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Media ID 15023978

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Ancient Russia Boyar Boyarishnya Boyars Wife Boyarynya Boyaryshnya Domostroy Domostroy Times Folklore Fyodor Grigoryevich 1801 1892 Grand Duchy Of Moscow Headwear History Of Russia Knyazhna Kokoshnik Moscow Principality Muscovite Boyar Muscovite Women Muscovy Russian Dress Russian Nobility Smuta Solntsev Time Of Troubles Aristocracy Colour Lithograph Headgear Traditional Dress


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EDITORS COMMENTS
The captivating print showcases the exquisite clothing worn by unmarried Boyars daughters during the era of Peter I. This artwork, part of Fyodor Grigoryevich Solntsev's renowned series on Russian state attire, was created in 1851 and is now housed in the esteemed collection of the Russian State Library in Moscow. In this image, we are transported back to a time when aristocracy and tradition reigned supreme. The women depicted exude elegance and grace as they don elaborate headdresses and traditional costumes that reflect their noble lineage. Each intricate detail of their attire tells a story steeped in folklore and history. The headgear worn by these Boyars daughters, known as kokoshniks, symbolizes not only their social status but also serves as an emblem of cultural identity. These fine art images offer us a glimpse into the grandeur and opulence associated with ancient Russia's nobility. Through this photograph, we are reminded of significant historical periods such as the Time of Troubles, Muscovy, and Moscow Principality. It transports us to a world where boyar wives (knyazhna) played pivotal roles alongside muscovite women (boyarynya), showcasing their influence within society. Solntsev's masterful use of color lithography brings vibrancy to this depiction while preserving its authenticity. As we admire this visual representation from Domostroy times - an era characterized by strict societal codes - we gain insight into the lives led by these

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