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The Common Council Chamber at Guildhall, 1844. Creator: V. Arnold
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The Common Council Chamber at Guildhall, 1844. Creator: V. Arnold
The Common Council Chamber at Guildhall, 1844. All-male meeting of officials of the City of London. The Court of Common Council consists, first, of the Aldermen (including the Lord Mayor), and secondly, of the Commons, or Common Councilmen, in all 206. They are elected by the 26 wards, excluding Bridge Without...the candidate must be a householder of the ward for which he declares; he must also be a freeman. The Alderman of the ward is the presiding officer at the election...it is the legislative body of the corporation, and in that capacity enjoys an unusual degree of power, such as that of making important alterations in the constitution of the latter; that it dispenses the funds, manages the landed property, has the care of the bridges, and of the Thames navigation, with many other powers and trusts. From " Illustrated London News", 1844, Vol I
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Media ID 20371335
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The Common Council Chamber at Guildhall, 1844
EDITORS COMMENTS
captures a significant moment in the administrative history of the City of London. In this print by V. Arnold, we witness an all-male meeting of officials gathered within the majestic walls of Guildhall. The Court of Common Council, comprising Aldermen and Commons elected from the city's wards, exercises legislative power over the corporation. This engraving provides a glimpse into the inner workings of 19th-century governance, showcasing the solemnity and importance attached to these proceedings. The image reflects both tradition and authority as men dressed in formal attire engage in discussions that shape the future course of London's administration. The composition highlights not only their occupation but also their social status as members of what was colloquially known as "the old boys network". These individuals held positions requiring them to be householders and freemen, ensuring a certain level of influence over decision-making processes. Vividly capturing this historical moment for posterity, V. Arnold's work serves as a metaphorical window into an era when power resided with select individuals who managed funds, property holdings, bridges, Thames navigation rights - essentially shaping every aspect vital to London's functioning. Preserved through time in newspapers like "Illustrated London News" this painting reminds us that even centuries ago, systems were established to govern cities efficiently while simultaneously raising questions about inclusivity within such structures.
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