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Copper gilt pyx, mid 15th century?, (1881). Creator: M Sullivan
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Copper gilt pyx, mid 15th century?, (1881). Creator: M Sullivan
Copper gilt pyx, mid 15th century?, (1881). Etching of a hexagonal pyx (container for the host used in the Eucharist), possibly made in England, Germany, or Flanders. The shape echoes a shrine or lantern. The twelve apostles are depicted in pairs, and the whole is surmounted by a cockerel. From " The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]
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Media ID 19300625
© The Print Collector/Heritage Images
Cella Copper Ecclesiastical Eucharist Hexagonal Marston Museum Of Ornamental Art Sampson Low Searle And Rivington Shrine South Kensington Museum Sullivan The South Kensington Museum V And A V And A Museum Victoria Albert Museum Victoria And Albert Museum
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EDITORS COMMENTS
This print showcases a copper gilt pyx from the mid-15th century, captured by M Sullivan in 1881. The etching depicts a hexagonal container used for holding the Eucharist host, known as a pyx. Its design, reminiscent of a shrine or lantern, exudes an aura of sacredness and reverence. Thought to have been crafted in England, Germany, or Flanders during the medieval period, this artifact is truly remarkable. The intricate details reveal pairs of the twelve apostles adorning its surface while being crowned by an elegant cockerel atop. The photograph originates from "The South Kensington Museum" which was once known as the Victoria & Albert Museum in London. Published by Sampson Low, Marston, Searle and Rivington in 1881, this book offers engraved illustrations accompanied by detailed descriptions of various works of art housed within the museum's collection. M Sullivan's skillful capture allows us to appreciate not only the craftsmanship but also the historical significance behind this religious relic. This image serves as a testament to Christianity's rich cultural heritage and its enduring influence on artistic expression throughout centuries. As we delve into this visual masterpiece through photography techniques employed by M Sullivan himself, we are transported back in time to witness firsthand the beauty and devotion that characterized fifteenth-century ecclesiastical artistry.
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