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Coursier de Naple. Creator: Charles Errard le fils

Coursier de Naple. Creator: Charles Errard le fils


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Coursier de Naple. Creator: Charles Errard le fils

Coursier de Naple

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Media ID 20566747

© Heritage Art/Heritage Images

Asleep Charles Errard Le Charles Errard Le Fils Charles Errard The Younger Fils Fils Charles Errard Le Rearing Roadside Sleep Sleeping


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> Arts > Artists > W > Charles White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print titled "Coursier de Naple" by Charles Errard le fils takes us back to the 17th century, showcasing the beauty and elegance of a majestic horse. The artist's skillful engraving technique brings this magnificent creature to life, capturing it in a moment of peaceful slumber. The horse is portrayed in profile, its head slightly raised as if caught in a dream. Its muscular form is accentuated against the stark background, creating a striking contrast that highlights every intricate detail. With its eyes closed and mane flowing gracefully, the horse exudes tranquility and serenity. Set against a rural backdrop with an open road on one side, this artwork evokes a sense of freedom and adventure. It transports us to another time when horses were not only means of transportation but also symbols of power and grace. Displayed at the Metropolitan Museum of Art, this portrait serves as a testament to Charles Errard le fils' artistic prowess. Through his masterful use of black and white tones, he captures both the physicality and essence of this noble animal. As we gaze upon this print, we are reminded of the timeless allure that horses have held throughout history. Their strength, beauty, and ability to inspire awe continue to captivate our imaginations even today.

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