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Courtesan Going to Bed, from the series "Ten Types of Beauties in Pictures

Courtesan Going to Bed, from the series 'Ten Types of Beauties in Pictures


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Courtesan Going to Bed, from the series "Ten Types of Beauties in Pictures

Courtesan Going to Bed, from the series " Ten Types of Beauties in Pictures (Jittai e-fuzoku)", c. 1794

Heritage Images features heritage image collections

Media ID 24374253

© Heritage Art/Heritage Images

Asleep Bare Feet Bedtime Courtesan Feet Foot Kiyonaga Torii Routine Sleep Sleeping Torii Kiyonaga Train Barefoot Colour Woodblock Print Oban


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Torii Kiyonaga

> Arts > Artists > T > Kiyonaga Torii

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban

> Transportation > Trains


EDITORS COMMENTS
This woodblock print, titled "Courtesan Going to Bed" transports us back to the vibrant and alluring world of 18th-century Japan. Created by Torii Kiyonaga during the Edo period, this artwork is part of the renowned series "Ten Types of Beauties in Pictures (Jittai e-fuzoku)". In this scene, we witness a courtesan preparing for her slumber. The full-length depiction showcases her graceful form as she delicately removes her clothing, revealing bare feet that carry the weight of her profession. The artist's attention to detail is evident in every brushstroke and color choice, bringing life and depth to each element. The tranquil night setting adds an air of mystery and intimacy as our courtesan embraces routine amidst a bustling city. Asleep yet still adorned with elegance, she embodies both vulnerability and strength within her occupation. Kiyonaga's mastery lies not only in his technical skill but also in his ability to capture the essence of Japanese culture during this era. This woodblock print serves as a window into a time when ukiyo-e prints were highly sought after for their artistic beauty and depiction of everyday life. Displayed proudly at the Art Institute Chicago, this piece stands as a testament to Kiyonaga's contribution to art history while offering viewers an opportunity to appreciate the rich heritage and craftsmanship found within Japanese artistic traditions.

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