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Courtesan and Sleeping Attendant, late 1760s. Creator: Suzuki Harunobu (Japanese, 1724-1770)

Courtesan and Sleeping Attendant, late 1760s. Creator: Suzuki Harunobu (Japanese, 1724-1770)


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Courtesan and Sleeping Attendant, late 1760s. Creator: Suzuki Harunobu (Japanese, 1724-1770)

Courtesan and Sleeping Attendant, late 1760s. Note the embossing on the robe of the courtesan. This technique uses unpigmented blocks during the printing process

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Media ID 19631825

© Heritage Art/Heritage Images

1615 1868 1724 1770 Suzuki Harunobu Suzuki Harunobu Japanese Colour Woodblock Print


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> Arts > Artists > H > Suzuki Harunobu

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EDITORS COMMENTS
This photo print, titled "Courtesan and Sleeping Attendant" transports us back to the late 1760s in Japan during the Edo period. Created by Suzuki Harunobu, a renowned Japanese artist of that time, this exquisite colour woodblock print showcases his exceptional talent and attention to detail. The focal point of the artwork is a courtesan accompanied by her sleeping attendant. The delicate embossing on the robe of the courtesan adds an extra layer of depth and texture to this already mesmerizing piece. It is fascinating to note that this technique involves using unpigmented blocks during the printing process, resulting in a unique visual effect. As we delve into this snapshot from history, we are transported into a world where beauty and elegance reign supreme. The intricate patterns adorning their garments reflect not only their social status but also serve as symbols of wealth and refinement. This heritage art piece serves as a window into Japanese culture during one of its most prosperous periods. It reminds us of the rich artistic tradition that thrived in Japan for centuries and continues to captivate audiences worldwide. Displayed at The Cleveland Museum of Art, this remarkable creation by Suzuki Harunobu stands as a testament to his mastery as an artist. Through his skillful craftsmanship, he has immortalized these figures from another era for generations to appreciate and admire.

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