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Two cranes, 1920-1930. Creator: Ohara, Koson (1877-1945)

Two cranes, 1920-1930. Creator: Ohara, Koson (1877-1945)


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Two cranes, 1920-1930. Creator: Ohara, Koson (1877-1945)

Two cranes, 1920-1930. Private Collection

Heritage Images features heritage image collections

Media ID 36226109

© Fine Art Images/Heritage Images

Animals And Birds Colour Woodcut Far East Japanese Art Koson 1877 1945 Meiji Era Ohara The Oriental Arts


EDITORS COMMENTS
Two Cranes" is a stunning color woodcut print created by the renowned Japanese artist, Ohara Koson, between the years 1920 and 1930. This exquisite work of art is a testament to the beauty and grace of the natural world, specifically the iconic cranes that have long held a special place in Japanese culture. Ohara Koson (1877-1945) was a master of the ukiyo-e tradition, a genre of Japanese art that flourished during the Edo period (1603-1868) and focused on depicting the "floating world" of pleasurable moments. Despite the Meiji Era (1868-1912) marking a shift towards Western influences, Ohara Koson and other artists continued to preserve and innovate within the ukiyo-e tradition. In this print, Ohara Koson captures the essence of two cranes in flight, their elegant forms silhouetted against a serene, pastel-hued sky. The intricate details of their feathers are rendered with remarkable precision, showcasing the artist's mastery of the woodcut technique. The subtle color palette and delicate brushwork create a sense of tranquility and harmony, transporting the viewer to a peaceful, otherworldly realm. This beautiful work of art is a reminder of the enduring connection between humans and nature, as well as the rich artistic heritage of Japan. The two cranes, with their graceful curves and powerful wings, embody the spirit of the Far East and serve as a symbol of hope, longevity, and the beauty of the natural world. This exquisite print, "Two Cranes," is part of a private collection and is a valuable addition to any fine art collection or space, evoking a sense of calm and wonder with every viewing. It is a testament to the timeless appeal of ukiyo-e and the enduring legacy of Ohara Koson as a master of this traditional art form.

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