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David with the head of Goliath, 1894. Artist: Georges-Auguste-Elie Lavergne

David with the head of Goliath, 1894. Artist: Georges-Auguste-Elie Lavergne


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David with the head of Goliath, 1894. Artist: Georges-Auguste-Elie Lavergne

David with the head of Goliath, 1894. Georges Auguste Elie Lavergne was a well known French portrait painter of the turn of the 20th century

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Media ID 14869556

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Beheaded Beheading David David And Goliath Decapitated Decapitation Georges Goliath Loin Cloth Loincloth Nimbus Step Steps Young Biblical Nakedness Old Testament Print Collector3


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EDITORS COMMENTS
This print showcases the iconic biblical scene of "David with the head of Goliath" beautifully captured by French portrait painter Georges-Auguste-Elie Lavergne in 1894. Lavergne, a renowned artist of his time, skillfully brings to life this momentous event from the Old Testament. In vivid color and intricate detail, we see David, a young boy clothed only in a loincloth, standing triumphantly on steps while holding Goliath's decapitated head. The composition exudes power and bravery as David wields his weapon—a sword—symbolizing victory over evil. Lavergne's portrayal emphasizes not only the physical confrontation but also the religious significance of this story. A nimbus surrounds David's head, indicating divine intervention and highlighting his chosen role as God's instrument against oppression. The painting reflects both historical accuracy and artistic interpretation. Lavergne masterfully captures emotions through subtle facial expressions and meticulous brushwork. This artwork serves as a reminder of France's rich cultural heritage and its deep connection to Christianity. As we gaze upon this remarkable print, we are transported back to an era where war was fought with swords rather than modern weaponry. It is a testament to Lavergne's talent that he can evoke such powerful emotions through his art media—oil on canvas. This print offers us an opportunity to appreciate Lavergne's contribution to French art history while immersing ourselves in one of humanity's most enduring tales—the timeless

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