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The Demon Omatsu Kills Shirosaburo in the Ford, 1886. Creator: Tsukioka Yoshitoshi
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The Demon Omatsu Kills Shirosaburo in the Ford, 1886. Creator: Tsukioka Yoshitoshi
The Demon Omatsu Kills Shirosaburo in the Ford, 1886. Series: A New Selection of Eastern Brocade Pictures
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Media ID 36379240
© Heritage Art/Heritage Images
1880s Aquatic Bird Arm Raised Arm Up Carrying On Back Colourful Crossing Dagger Diptych Fording Fortune Teller Fortune Telling Historic Figure Historical Person Legend Legendary Lilac Meiji Era Meiji Period New Selection Of Eastern Brocade Omatsu Samurai Taiso Treachery Tsukioka Yoshitoshi Vengeance Violence Violent Water Bird Waterbird Yoshitoshi Tsukioka Blade Colour Woodblock Print Posture
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EDITORS COMMENTS
The Demon Omatsu Kills Shirosaburo in the Ford" is a captivating woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi in 1886, as part of his series "A New Selection of Eastern Brocade Pictures." This masterpiece depicts a scene from a legendary tale that originated in the 14th century, set against the backdrop of the Ashikaga Tochigi region in Japan. The print showcases a dramatic moment in the story, where the demon Omatsu, disguised as a beautiful woman, lures Shirosaburo, a brave warrior, to his demise. The scene unfolds at a ford, a geographical feature where a river or other body of water is crossed. Omatsu, dressed in a vibrant, colorful kimono adorned with lilac patterns, stands on the riverbank, carrying a large, ornate fan. With an arm raised and a hand gesturing invitingly, she beckons Shirosaburo, who is shown crossing the ford on horseback, carrying his armor on his back. In the background, an aquatic bird takes flight, adding to the serene yet ominous atmosphere of the scene. Shirosaburo, unaware of the danger lurking nearby, lowers his guard, providing the perfect opportunity for Omatsu to strike. With a swift and deadly move, she reveals her true form, brandishing a blade in one hand and a dagger in the other. The contrast between the calm, picturesque setting and the impending violence is both striking and unsettling. This woodblock print is a testament to the rich artistic heritage of Japan during the Meiji Era, showcasing the intricate detail and vibrant colors that are characteristic of the ukiyo-e tradition. Today, it is housed in the Los Angeles County Museum of Art (LACMA), where it continues to captivate and inspire audiences from around the world.
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