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The Deposition (Manuscript illumination from the Matenadaran Gospel), 1286
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The Deposition (Manuscript illumination from the Matenadaran Gospel), 1286
The Deposition (Manuscript illumination from the Matenadaran Gospel), 1286. Found in the Collection of Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan
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Media ID 18267798
© Fine Art Images / Heritage-Images
Armenia Barock Calvary Christ Carrying The Cross Cross Crucifixion Dead Christ Deposition Descent From The Cross Golgotha Golgotha Hill Gospel Matenadaran Illuminated Art Illuminated Letter Illuminated Manuscript Jerusalem Joseph Of Arimathea And Nicodemus Magdalen Magdalene Manuscript Illumination Mary Magdalen Mary Magdalene Matenadaran Medieval Art Miniature Mourning Passion Passion Of Christ The Body Of Christ The Road To Calvary Via Dolorosa Watercolour On Parchment Yerevan
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This print showcases "The Deposition" a stunning manuscript illumination from the Matenadaran Gospel dating back to 1286. Housed in the Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran) in Yerevan, Armenia, this artwork is a testament to the rich cultural heritage and artistic mastery of the region. "The Deposition" depicts a pivotal moment in Christian history - Christ's descent from the cross after his crucifixion. The illuminated art beautifully captures the sorrow and mourning surrounding this event, with figures such as Mary Magdalene, John, Joseph of Arimathea, and Nicodemus tenderly supporting Jesus' lifeless body. Crafted by an anonymous artist known as the Master of Codex Matenadaran in the 13th century, this miniature painting exemplifies medieval art at its finest. The intricate details and vibrant watercolor on parchment bring depth and emotion to every stroke. As we gaze upon this masterpiece, we are transported to Golgotha Hill or Calvary - where Jesus was crucified outside Jerusalem. The Via Dolorosa or Road to Calvary is vividly depicted here, reminding us of Christ's sacrifice for humanity's salvation. "The Deposition" serves not only as a religious symbol but also as a significant piece of Renaissance art that continues to inspire awe centuries later. Its presence within the Matenadaran collection further solidifies Armenia's contribution to fine art images throughout history.
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