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Design for a crucifix, c.1775-c.1785. Creator: Luigi Valadier
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Design for a crucifix, c.1775-c.1785. Creator: Luigi Valadier
Design for a crucifix, c.1775-c.1785. Design for a crucifix of gilded metal and lapis lazuli (?), Above the crucified Christ is a plaque with the inscription Inri'. On the left is Mary and on the right John the Baptist, and a kneeling bishop with bare head, with his staff. Below is a holy relic behind glass, with the coat of arms of Pope Pius VI. Attributed to Luigi Valadier
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Media ID 36342279
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Casket Chasse Cross Crosses Crucified Crucifix Crucifixion Gilded Gilding Gilt Giovanni Angelo Braschi Graphite Mineral Life Of Christ Pope Pius Vi Relic Religious Artefact Reliquary Watercolour Paint
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EDITORS COMMENTS
This exquisite design for a crucifix, dated between 1775 and 1785, is attributed to the renowned Italian artist Luigi Valadier. The crucifix, made of gilded metal and possibly lapis lazuli, depicts a crucified Christ with intricate detail and a sense of profound reverence. Above Christ's head, a plaque bears the inscription "Inri," a reference to the Latin phrase "Iesus Nazarenus, Rex Iudaeorum," meaning "Jesus of Nazareth, King of the Jews." On either side of the cross, figures of the Virgin Mary and John the Baptist are depicted in prayerful contemplation. A kneeling bishop, with his bald head and staff, is shown at the foot of the cross, adding a sense of solemnity and reverence to the composition. Below the crucifix, a relic is enclosed in a glass case, protected and venerated. The coat of arms of Pope Pius VI is visible on the reliquary, adding an ecclesiastical significance to the piece. This design for a crucifix is a testament to the artistic and religious sensibilities of the 18th century. The use of gilding and watercolor techniques adds depth and texture to the drawing, bringing the figures to life in a way that transcends the two-dimensional plane. This work is a rare example of the intersection of art, heritage, and religion during the Dutch Golden Age and the papacy of Pius VI. The intricacy and beauty of this design reflect the artistic and spiritual values of the time, making it an invaluable addition to any collection of European art or religious artifacts.
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