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Destruction of a Convent, plate six from The Large Miseries of War, n.d. Creator: Gerard van Schagen
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Destruction of a Convent, plate six from The Large Miseries of War, n.d. Creator: Gerard van Schagen
Destruction of a Convent, plate six from The Large Miseries of War, n.d
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Media ID 36193275
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Callot Jacques Callote Jacques Callotti Jacques Convent Destruction Etching On Paper Gerard Van Schagen Gerardus A Schagen Gerrit Lucasz Van Schagen Gerrit Van Schagen Iacopo Callott Jacques Callot Large Miseries Of War Looting Nunnery Pillaging Plunder Plundering Schagen Gerard Van Treasure Van Schagen Gerrit Lucasz Violence Violent Letterbox Format
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EDITORS COMMENTS
Plate six from The Large Miseries of War" by Gerard van Schagen, depicts the destructive aftermath of a convent's attack during the tumultuous seventeenth century. The etching on paper, created by the Dutch artist, captures the chaos and violence of wartime with remarkable detail and intensity. The image is set in a panoramic, letterbox format, allowing the viewer to take in the vast scene of devastation. The convent, once a sacred place of refuge and prayer, now lies in ruins. Nuns, dressed in their traditional habits, are shown fleeing in terror, their faces etched with fear and despair. Soldiers, both Dutch and possibly enemy, are seen looting and plundering the convent's treasures. The once tranquil and serene environment is now filled with the sounds of shattering glass, cries of anguish, and the clashing of swords. The etching, part of the series "The Large Miseries of War," highlights the brutal reality of war and its impact on innocent civilians. The concept of crime and violence against religious institutions was a common theme during this period, particularly in the Low Countries. The image serves as a powerful reminder of the devastating consequences of war and the importance of preserving heritage and religious institutions. Gerard van Schagen, also known as Gerrit Lucasz van Schagen or Gerrit van Schagen, was a Dutch artist who specialized in etchings. His work, influenced by the Italian artist Iacopo da Callot, showcases the intricacy and detail of the etching technique. The destruction of the convent is a poignant and thought-provoking image that continues to resonate with viewers today. The art piece, now part of the collection of the Art Institute of Chicago, is a testament to the enduring power of art to capture and convey the complexities of history and human emotion.
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