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The difference between law and justice, 1809. Artist: Isaac Cruikshank

The difference between law and justice, 1809. Artist: Isaac Cruikshank


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The difference between law and justice, 1809. Artist: Isaac Cruikshank

The difference between law and justice, 1809; showing the Lord Mayor, John Atkins, using the City sword to prod the posterior of a visitor who leaps over the parapet of Mansion House. Thomas Williams, deputy alderman of Walbrook ward stands behind the Mayor

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Media ID 15173584

© London Metropolitan Archives (City of London) / Heritage-Images

Alderman Atkins Cruikshank Isaac Isaac Cruikshank Justice Lord Mayor Of London Mansion House Parapet Scales Of Justice Speech Bubble Williams


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EDITORS COMMENTS
This print titled "The Difference between Law and Justice, 1809" by Isaac Cruikshank offers a thought-provoking glimpse into the dynamics of power and authority in 19th century London. The image portrays an intriguing scene at Mansion House, where the Lord Mayor, John Atkins, wields the City sword to prod a daring visitor who has leaped over the parapet. Standing behind the Mayor is Thomas Williams, deputy alderman of Walbrook ward. In this satirical artwork, Cruikshank skillfully captures the stark contrast between law and justice. While law represents a set of rules that govern society's behavior, justice embodies fairness and moral righteousness. Here we witness an amusing yet poignant commentary on how those in positions of authority may sometimes prioritize enforcing laws over achieving true justice. The vibrant colors and intricate details bring this historical moment to life. The depiction of various individuals dressed in their distinctive uniforms adds depth to the narrative while highlighting societal hierarchies prevalent during that era. As viewers delve into this piece further, they are invited to reflect upon timeless questions surrounding politics and governance: How do we strike a balance between upholding laws and ensuring justice? Can one truly exist without the other? Through his masterful etching technique, Cruikshank invites us to ponder these complex notions while shedding light on an important chapter in England's history.

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