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Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843. Creator: Utagawa Kuniyoshi. Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
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Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843. Creator: Utagawa Kuniyoshi. Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843
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Media ID 36208721
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Arms Raised Arms Up Arrival Arriving Filial Piety Ichiyusai Kuniyoshi Kuniyoshi Utagawa Legend Legendary Raised Arms Scholar Utagawa Kuniyoshi Utagawa School Virtue Welcoming Color Woodblock Print Oban Posture Young Man
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EDITORS COMMENTS
This woodblock print, created by the renowned Japanese artist Utagawa Kuniyoshi in the 19th century, showcases Dong Yong, also known as Toei, from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children." The image captures the moment of Dong Yong's arrival, with his arms raised in a gesture of greeting or supplication. The coastal scene in the background suggests that he has just arrived by boat, adding to the sense of anticipation and wonder. Dong Yong is depicted in traditional Asian attire, wearing a flowing kimono with intricate patterns and vibrant colors. His scholarly appearance, with a book in hand, underscores his status as a paragon of filial piety, a virtuous quality highly valued in East Asian culture. The print is a beautiful example of the oban format, a common size for Japanese woodblock prints of the Edo and Tokugawa periods. The "Twenty-four Paragons of Filial Piety" is a legendary series of stories and illustrations that originated in China during the Han Dynasty. These tales of filial piety, or deep respect and love for one's parents, were widely circulated throughout Asia and became an important part of the artistic and educational traditions in Japan. This print, now housed at the Art Institute of Chicago, is a testament to the enduring influence of these stories and the artistic innovations of Utagawa Kuniyoshi. It invites us to reflect on the values of filial piety and the rich artistic heritage of Asia.
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