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Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown

Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown


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Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown

Door Boss: Bust of a Satyress, c. 1580

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Media ID 24038978

© Heritage Art/Heritage Images

Agony Boss Bust Distorted Distortion Fear Horror Open Mouth Painting And Sculpture Of Europe Satyr Ugly


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> Architecture > Country > Italy > Related Images

> Architecture > Doors

> Architecture > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Fine Art

> Arts > Sculpture

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> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > Italy > Sculptures


Door Boss - Bust of a Satyress, c. 1580 - A Glimpse into the Agony and Horror of Renaissance Mythology

EDITORS COMMENTS
. This print captures a close-up view of the "Door Boss: Bust of a Satyress" an intriguing sculpture from the 16th century. Created by an unknown artist, this bronze bust showcases the distorted features of a fearsome satyress, a mythical creature with both human and goat-like characteristics. The craftsmanship is remarkable as every detail is meticulously captured in color and texture. The open mouth reveals sharp teeth that evoke both fascination and unease. This Italian masterpiece reflects the artistic heritage of Europe during the Renaissance period. Displayed at the Art Institute Chicago, this artwork transports viewers to another time and continent, inviting them to explore European mythology through art. The twisted expression on this satyress's face conveys fear and horror, leaving one captivated by its ugliness yet unable to look away. As we gaze upon this sculpture, we are reminded that art has always been an avenue for expressing complex emotions and concepts. It serves as a testament to humanity's enduring fascination with mythological creatures while also showcasing the immense talent possessed by artists throughout history. With its powerful presence and enigmatic origins, "Door Boss: Bust of a Satyress" continues to intrigue visitors at the Art Institute Chicago, offering them an opportunity to delve into centuries-old narratives woven within metal and myth alike.

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