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Double-Faced Female Figurine, 500 / 400 B. C. Creator: Unknown
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Double-Faced Female Figurine, 500 / 400 B. C. Creator: Unknown
Double-Faced Female Figurine, 500/400 B.C
Heritage Images features heritage image collections
Media ID 24153914
© Heritage Art/Heritage Images
5th Century Bc 6th Century Bc Ceramic And Pigment Confusion Double Figurine Mesoamerican Mexican Mexico Miniature Pigment Pre Colombian Pre Columbian Precolombian Precolumbian Statuette Tlatilco Two Faced Arts Of The Americas Earthenware
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This print showcases a remarkable artifact from ancient times, the "Double-Faced Female Figurine" dating back to 500/400 B. C. Created by an unknown artist, this statuette is a testament to the rich heritage of Mesoamerican culture in Mexico. The figurine's intricate details and vibrant colors are beautifully captured in this close-up shot. Made of earthenware and adorned with pigments, it exudes an air of mystery and fascination. The double-faced feature adds an intriguing element to its overall design, symbolizing duality or perhaps even confusion. Displayed at the Art Institute of Chicago, this piece represents the artistic excellence prevalent during that era. Its miniature size makes it all the more impressive as every delicate curve and contour has been meticulously crafted. As we gaze upon this ancient relic, we can't help but marvel at how art transcends time and connects us with our ancestors' creativity. It serves as a reminder of our shared human history and cultural diversity. The "Double-Faced Female Figurine" invites us to contemplate concepts such as identity, femininity, and spirituality that were significant in pre-Columbian societies. Despite being created centuries ago by an anonymous artist, its beauty continues to captivate modern audiences today. Through photographs like these, we can appreciate not only the skillful craftsmanship but also gain insight into different cultures across time and space—a true testament to the power of art in preserving our collective heritage for generations to come.
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