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Dr. Johnson in Ante-Room of Lord Chesterfield, 1748, (c1915). Artist: Edward Matthew Ward
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Dr. Johnson in Ante-Room of Lord Chesterfield, 1748, (c1915). Artist: Edward Matthew Ward
Dr. Johnson in Ante-Room of Lord Chesterfield, 1748, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
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Media ID 14997584
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4th Earl Of Chesterfield Alfred Alfred Yockney Antechamber Busy Chesterfield Doctor Johnson Dr Johnson Dr Samuel Dr Samuel Johnson Drawing Room Edward Matthew Edward Matthew Ward Flirting International Art Past And Present Johnson Matthew Ward Philip Dormer Stanhope Samuel Samuel Johnson Servant Stanhope Tate Britain Virtue And Company Virtue Co Ltd Virtue Company Waiting Ward Wealth Wealthy Yockney Ante Room Philip Dormer Philip Stanhope
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Dr. Johnson in Ante-Room of Lord Chesterfield, 1748 - A Glimpse into the World of Wealth and Literature
EDITORS COMMENTS
. This print captures a moment frozen in time, transporting us back to the year 1748. Painted by Edward Matthew Ward and held by the prestigious Tate Modern in London, this artwork offers a glimpse into an era when wealth and intellect intertwined. In this scene, we find ourselves in the opulent ante-room of Lord Chesterfield's grand estate. Dr. Samuel Johnson, a renowned writer and author of the 18th century, sits patiently among a group of people from different walks of life - men engrossed in conversation, women elegantly dressed exuding gracefulness. The room is abuzz with activity as servants attend to their duties diligently while a faithful dog rests at their feet. The air is filled with anticipation as everyone awaits their turn to enter the drawing room where important discussions on literature and society take place. Amidst this bustling atmosphere, one cannot help but notice Dr. Johnson's commanding presence; his white hair contrasting against his dark attire symbolizes wisdom acquired through years of experience. This print not only showcases Ward's artistic talent but also serves as a reminder that art has always been deeply rooted in society – reflecting its values, aspirations, and even flirtations within its intricate brushstrokes. As we admire this piece from Alfred Yockney's International Art collection published by Virtue & Company in 1915, we are transported back to an England where wealth met intellect amidst lavish surroundings - an enchanting snapshot capturing both history and imagination within its frame.
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