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Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
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Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
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Media ID 14970675
© The Print Collector
Ball Distraction Dressing Fictional Character George Morland Group Of People John Raphael John Raphael Smith Laetitia Maid Masquerade Ball Morland Preparing Servant Smith The Connoisseur Waiting
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Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789
EDITORS COMMENTS
captures a captivating scene from the 18th century, beautifully depicted by artist John Raphael Smith. The print showcases an enchanting world of elegance and mystery, as individuals prepare for a masquerade ball. In this vibrant image, we see a group of people gathered in an opulent interior setting. Men and women are engrossed in their respective roles - some dressing up while others wait patiently or engage in conversation. Amidst them all is Laetitia, our central character, portrayed as a woman torn between her own reflection and the allure of public entertainments. The concept behind this artwork speaks to the distractions that can captivate us when preparing for special occasions. Laetitia's internal struggle symbolizes the tension between self-reflection and external indulgence during such events. Notably, even amidst this glamorous gathering, there is room for whimsy with a dog playfully observing the scene. This inclusion adds charm and lightness to an otherwise formal setting. Smith's skillful use of color brings life to every detail within the print – from richly colored costumes to meticulously rendered expressions on each character's face. It transports viewers back to an era where masquerades were grand affairs filled with intrigue and excitement. This particular print was featured in "The Connoisseur" a renowned London magazine in 1926 that celebrated artistry across various mediums. Its inclusion further
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