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Driving Rain at Shono (Station 46) from the series Fifty-Three Stations of the Tokaido, 1833. Creator: Ando Hiroshige (Japanese, 1797-1858)

Driving Rain at Shono (Station 46) from the series Fifty-Three Stations of the Tokaido, 1833. Creator: Ando Hiroshige (Japanese, 1797-1858)


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Driving Rain at Shono (Station 46) from the series Fifty-Three Stations of the Tokaido, 1833. Creator: Ando Hiroshige (Japanese, 1797-1858)

Driving Rain at Shono (Station 46) from the series Fifty-Three Stations of the Tokaido, 1833. In this print, Hiroshige mastered capturing the atmospheric qualities of rain and its effects on travelers wearing straw raincoats. The publisher's name, Takenouchi, is written on the umbrella. His large red seal is stamped on the left side of the print. Hiroshige often depicted rainfall with distinct slanted lines. Here, he also added sheets of gray shading to emphasize the intensity of the downpour. In addition, three different shades of gray, requiring three different stages of the printing process, suggest distance in the thickets of bamboo in the background

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Media ID 19625428

© Heritage Art/Heritage Images

1615 1868 1797 1858 Ando Hiroshige Japanese Ando Hiroshige Colour Woodblock Print


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EDITORS COMMENTS
This print titled "Driving Rain at Shono (Station 46) from the series Fifty-Three Stations of the Tokaido" showcases the incredible talent and mastery of Japanese artist Ando Hiroshige. Created in 1833 during the Edo period, this colour woodblock print beautifully captures the atmospheric qualities of rain and its impact on travelers donning straw raincoats. Hiroshige's attention to detail is evident as he depicts rainfall with distinct slanted lines, giving a sense of motion and intensity to the downpour. The addition of sheets of gray shading further emphasizes the relentless nature of the storm. Incredibly, three different shades of gray were meticulously applied through separate stages in the printing process to create depth and suggest distance within the thickets of bamboo that adorn the background. The publisher's name, Takenouchi, can be seen written on an umbrella held by one traveler. Meanwhile, Hiroshige's large red seal proudly stamps his mark on the left side of this remarkable piece. As we gaze upon this print, we are transported back in time to experience a moment captured by Hiroshige's artistic vision. We can almost feel ourselves amidst these weary travelers braving nature's fury while seeking shelter at Station 46 along their journey on Tokaido road. This stunning work is part of The Cleveland Museum Of Art collection and serves as a testament to Hiroshige's enduring legacy as one Japan's most celebrated artists.

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