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Ecce Homo, c. 1610. Creator: Caracciolo, Giovanni Battista (1578-1635)

Ecce Homo, c. 1610. Creator: Caracciolo, Giovanni Battista (1578-1635)


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Ecce Homo, c. 1610. Creator: Caracciolo, Giovanni Battista (1578-1635)

Ecce Homo, c. 1610. Found in the collection of the Museo di Capodimonte, Naples

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Media ID 36317971

© Fine Art Images/Heritage Images

Calvary Caracciolo Christ Before Pilatus Christ Carrying The Cross Cross Crucifixion Ecce Homo Golgotha Golgotha Hill Jerusalem Man Of Sorrows Mourning Museo Di Capodimonte Naples Passion Passion Of Christ Passion Of The Christ Passion Procession Pilate Pontius Pilate Prokurator School Of Neaple Suffering And Agony Of Jesus The Road To Calvary Via Dolorosa Way Of The Cross What Is Truth


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > I > Italian School Italian School

> Baroque paintings

> Europe > Italy > Campania > Naples

> Europe > Italy > Naples

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art


EDITORS COMMENTS
Ecce Homo," or "Behold the Man," is a powerful and moving Baroque painting by the Neapolitan artist Giovanni Battista Caracciolo, created around 1610. This masterpiece is currently housed in the prestigious Museo di Capodimonte in Naples, Italy. The painting depicts a pensive and weary Jesus Christ, dressed in a simple robe and wearing a crown of thorns, as he presents himself before Pontius Pilate, the Roman Procurator. The scene is set against the backdrop of Golgotha Hill, where the crucifixion of Christ would soon take place. The somber and melancholic atmosphere is heightened by the mournful expressions of the bystanders, who bear witness to the Passion of Christ. Caracciolo's masterful use of oil on canvas brings the biblical narrative to life, as the viewer is drawn into the emotional intensity of the moment. The artist's intricate brushstrokes and attention to detail create a sense of realism and authenticity, transporting us back to the New Testament era. The title "Ecce Homo" is derived from the Latin phrase used by Pilate to introduce Christ to the crowd, as he washed his hands of the decision to condemn him to death. The painting serves as a poignant reminder of the suffering and agony of Jesus, as he carries the cross on the Way of the Cross towards Calvary. Caracciolo's "Ecce Homo" is a testament to the enduring power of art to evoke emotion and inspire contemplation. It is a must-see masterpiece for anyone interested in the history of art, Christianity, or the human condition. The painting's haunting beauty continues to captivate viewers and leave a lasting impression, making it a cherished treasure of the Museo di Capodimonte and the artistic legacy of Naples.

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