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Embriaco Rejecting the Spoils, from: Forme Picturarum Archetypae, 1774. Creator: Lorenzo Lorenzi

Embriaco Rejecting the Spoils, from: Forme Picturarum Archetypae, 1774. Creator: Lorenzo Lorenzi


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Embriaco Rejecting the Spoils, from: Forme Picturarum Archetypae, 1774. Creator: Lorenzo Lorenzi

Embriaco Rejecting the Spoils, from: Forme Picturarum Archetypae, 1774

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Media ID 26373781

© Heritage Art/Heritage Images

Crusader Crusaders Crusades Etching And Engraving Franceschini Marc Antonio Franceschini Marcantonio Genoa Liguria Italy Genoese Genova Italy Leader Marc Antonio Franceschini Marcantonio Franceschini Merchant Spoils


FEATURES IN THESE COLLECTIONS

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > Italy > Genoa

> Europe > Italy > Liguria > Genoa

> Europe > Italy > Liguria > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Embriaco Rejecting the Spoils - A Glimpse into 18th Century Genoa

EDITORS COMMENTS
. This print, titled "Embriaco Rejecting the Spoils" takes us back to 18th century Genoa, Italy. Created by Lorenzo Lorenzi as part of his renowned series "Forme Picturarum Archetypae" in 1774, this etching and engraving captures a significant moment in history. The scene depicts Guglielmo Embriaco, a prominent Genoese merchant and leader during the Crusades. Standing amidst a group of crusaders, he is seen refusing to accept spoils from their conquests. This powerful image showcases Embriaco's unwavering commitment to his Christian beliefs and moral principles. Lorenzi's intricate detailing brings life to each figure in this historical illustration. The engraved lines beautifully capture the expressions on the faces of both soldiers and civilians alike, conveying their emotions and convictions. Displayed at an art gallery or exhibition center, this antique print serves as a window into Italian culture and heritage. It offers viewers an opportunity to delve into the rich history of Genoa while reflecting on themes such as religion, military conquests, and personal integrity. As we admire this piece at The Metropolitan Museum of Art or any other prestigious museum around the world that houses it within its collection, we are transported back in time – witnessing an important moment through Lorenzo Lorenzi's skilled craftsmanship.

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