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England (Igirisu koku), 1865. Creator: Utagawa Yoshitora
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England (Igirisu koku), 1865. Creator: Utagawa Yoshitora
England (Igirisu koku), 1865. British people, sailing ships and churches seen through Japanese eyes
Heritage Images features heritage image collections
Media ID 24369483
© Heritage Art/Heritage Images
Alter Bonnet Bonnets Crinoline Crinolines East Meets West Europeans Galleon Galleons Hoop Skirt Hooped Hoopskirt North America Oban Triptych Parasol Parasols Petticoat Sailing Ships Triptych Umbrella Umbrellas Utagawa Yoshitora West Western Westerner Westerners Yokohama Yokohama E Yoshitora Utagawa Colour Woodblock Print Metaphor
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England (Igirisu koku), 1865 - A Glimpse of British Culture through Japanese Eyes
EDITORS COMMENTS
. This photo print, created by Utagawa Yoshitora in 1865, offers a unique perspective on England during the 19th century. Through the lens of a Japanese artist, we witness an intriguing blend of East meets West as British people, sailing ships, and churches come to life. The artwork showcases the rich architectural heritage of Britain with its grand churches towering over the landscape. The vibrant colors and intricate details bring out the essence of this European nation as seen from afar. The presence of galleons sailing gracefully in the background adds a touch of adventure and exploration to this visual narrative. Intriguingly, traditional Japanese elements are seamlessly woven into this portrayal. Men and women dressed in their finest attire donning bonnets, crinolines, and hoop skirts reflect both English fashion trends and hints of cultural exchange between these two distant lands. It is fascinating how religion plays a significant role in this piece; Christianity's influence is evident through the prominence given to churches amidst bustling city scenes. This triptych serves as a metaphor for cross-cultural connections that transcend geographical boundaries. Utagawa Yoshitora's work beautifully captures not just physical landscapes but also intangible aspects such as artistry and spirituality. As we gaze upon this remarkable print at the Art Institute Chicago or any other art center fortunate enough to possess it within their collection, we are transported back to an era where East met West in harmonious coexistence.
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