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Entrance to a Yurok Sweat-house, c1923. Creator: Edward Sheriff Curtis
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Entrance to a Yurok Sweat-house, c1923. Creator: Edward Sheriff Curtis
Entrance to a Yurok Sweat-house, c1923. Sheltered hole in mound of earth lined with boards, large rocks in foreground
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Media ID 35138825
© Heritage Art/Heritage Images
Book Illustration California United States Of America Curtis Edward Sheriff Curtis Edwards Edward Sheriff Curtis Edwards Curtis Hole North American Indian Plank Planks Sweat Lodge Way In Yurok
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This evocative photograph, titled "Entrance to a Yurok Sweat-house, c1923," captures the enigmatic and otherworldly atmosphere of a traditional Native American spiritual site. Taken by renowned ethnographer and photographer Edward Sheriff Curtis during the 1920s, the image offers a glimpse into the rich cultural heritage of the Yurok people of California, United States. The photograph depicts the entrance to a sweat-house, a sacred structure used for purification and healing ceremonies. The structure is nestled in a sheltered hole in a mound of earth, its entrance marked by large, weathered rocks. The walls of the sweat-house are lined with planks, their rough texture and worn appearance a testament to the many hands that have touched them over generations. The image transports us back in time to a place of deep spiritual significance for the Yurok people. The sweat-house was a place of communal healing and connection to the natural world, where individuals would spend hours in the steamy, enclosed space, undergoing purification rituals. The photograph invites us to reflect on the importance of cultural traditions and the role they play in shaping our understanding of the past and present. Edward Sheriff Curtis was a pioneering figure in the documentation of Native American cultures, and his work continues to be celebrated for its historical and artistic significance. This photograph is a powerful reminder of the importance of preserving and honoring the diverse cultural traditions that have shaped the American landscape.
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