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Evening Cool on the Verandah (Ensaki no yusuzumi): Genre scenes with kyoka poems, in... c. 1788/90. Creator: Kitagawa Utamaro
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Evening Cool on the Verandah (Ensaki no yusuzumi): Genre scenes with kyoka poems, in... c. 1788/90. Creator: Kitagawa Utamaro
Evening Cool on the Verandah (Ensaki no yusuzumi): Genre scenes with kyoka poems, in aiban format (Kyoka-iri aiban fuzoku zu), Japan, c. 1788/90
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Media ID 36215086
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Aiban Cool Evening Kitagawa Utamaro Kyoka Lying Lying Down Olive Green Poem Reclining Recumbent Utamaro Utamaro Kitagawa Veranda Verandah Calligraphy Color Woodblock Print
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EDITORS COMMENTS
Evening Cool on the Verandah" (Ensaki no yusuzumi) is a captivating and intricately detailed woodblock print by the renowned Japanese artist Kitagawa Utamaro, created around 1788/90. This masterpiece is a prime example of the genre scenes with kyoka poems, or humorous verses, in the aiban format, which gained popularity during the Edo and Tokugawa periods in Japan. The print depicts three figures – a boy, a woman, and a man – enjoying a leisurely evening on a verandah, surrounded by lush greenery and the warm glow of the setting sun. The boy, dressed in a simple yet elegant kimono, lies reclining on a mat, engrossed in a book, while the woman, clad in an olive green kimono, sits beside him, her expression thoughtful as she gazes off into the distance. The man, dressed in a more formal attire, leans against a column, lost in contemplation as he reads a poem aloud, his calligraphy brush poised above the scroll. The vibrant colors and intricate details of the print are a testament to the artistic skill and mastery of Utamaro. The cool olive green tones of the clothing and the rich, earthy colors of the setting evoke a sense of tranquility and relaxation, transporting the viewer to a bygone era. The print is a stunning example of the traditional clothing and customs of Japan during the eighteenth century and offers a glimpse into the daily life and leisure activities of the time. This woodblock print is a treasured addition to any collection of Asian art, and its inclusion in the Art Institute of Chicago's esteemed collection is a testament to its historical and artistic significance. The print's intricate details, rich colors, and thoughtful composition make it a must-see for anyone interested in the arts of Asia, the Edo period, or the works of Kitagawa Utamaro.
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