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Fakirs Wounding Themselves, c1891. Creator: James Grant

Fakirs Wounding Themselves, c1891. Creator: James Grant


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Fakirs Wounding Themselves, c1891. Creator: James Grant

Fakirs Wounding Themselves, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

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Media ID 25322697

© The Print Collector/Heritage Images

Bare Chested Barechested Belief British India British Raj Cassell Petter Galpin Cassells Illustrated History Of India Fakir Galpin Grant James Holy Man Imperialism India Asia James Grant Petter And Petter And Galpin Semi Dress Semi Naked The Raj Traditional Culture Wound Wounded Wounding British Empire Cassell Hindoostan Self Flagellation


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EDITORS COMMENTS
This photo print, titled "Fakirs Wounding Themselves, c1891" takes us back to the 19th century in British India. Created by James Grant for his book "Cassells Illustrated History of India Vol. II" this image offers a glimpse into the fascinating world of Indian religious practices. In this thought-provoking portrait, three bare-chested fakirs are depicted engaging in an intense act of self-flagellation. With their semi-dressed bodies covered in wounds, these holy men demonstrate their unwavering devotion to their faith and belief system. The photograph captures not only the physical pain endured by these individuals but also the depth of their spiritual commitment. Grant's illustration serves as a powerful reminder of the rich cultural heritage and traditional customs that existed during the time of British imperialism in India. It provides valuable insight into indigenous practices that were deeply rooted in Indian society. As we observe this striking image, we are transported to a different era where religion played a significant role in shaping people's lives. Through Grant's lens, we witness both the physical suffering and inner strength exhibited by these fakirs. This print is more than just a historical artifact; it represents an important chapter in India's past and invites us to reflect on the complexities of faith and tradition.

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