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Fast Day, March 20, 1799. March 20, 1799. Creator: Thomas Rowlandson

Fast Day, March 20, 1799. March 20, 1799. Creator: Thomas Rowlandson


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Fast Day, March 20, 1799. March 20, 1799. Creator: Thomas Rowlandson

Fast Day, March 20, 1799

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Media ID 19986906

© Heritage Art/Heritage Images

Alcohol Chicken Clergyman Dining Table Eating Greedy Hypocrisy Hypocrite Meat Oxford University Pork Rowlandson Rowlandson Thomas Suckling Pig Swine Tables Thomas Rowlandson University Wine Brasenose College Hand Coloured Hand Tinted Roast Pork


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Chicken

> Arts > Artists > D > Thomas Day

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Universities and Colleges


Fast Day, March 20,1799 - A Satirical Feast of Hypocrisy and Excess

EDITORS COMMENTS
. This print by Thomas Rowlandson transports us back to the year 1799, offering a glimpse into the social and cultural landscape of that time. The scene unfolds in Brasenose College at Oxford University, where a group of British clergyman gather around a lavish dining table. Rowlandson's keen eye for detail captures the essence of this satirical moment. The clergymen are depicted indulging in an opulent feast, their gluttony on full display as they greedily devour roast pork and succulent chicken. Wine flows freely from goblets while swine roam amidst the chaos. The artist masterfully exposes the hypocrisy within religious institutions during this era. While fasting is traditionally associated with spiritual reflection and self-restraint, these clergymen appear more interested in satisfying their earthly desires than upholding their sacred duties. Hand-colored with meticulous precision, this etching showcases Rowlandson's exceptional talent for capturing both physical details and underlying concepts. Through his artistry, he invites viewers to contemplate themes such as excess, education, and societal norms prevalent during the eighteenth century. As we gaze upon this remarkable piece from The Metropolitan Museum of Art collection today, let it serve as a reminder that human nature has always been susceptible to contradictions and flaws – even among those who claim moral authority.

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