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Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622
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Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622
Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico
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Media ID 20565969
© Heritage Art/Heritage Images
Battista Franco Battista Franco Veneziano Cut Out Enea Enea Vico Ex Antiquis Cameorum Faun Flaming Torch Giovanni Battista Franco Lying Down Philippe Philippe Thomassin Reclining Satyr Thomassin Thomassin Philippe Torch Veneziano Veneziano Battista Franco Vico Vico Enea Hand Gesture Nakedness
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EDITORS COMMENTS
This print titled "Two Figures, a Faun, and a Satyr approach a Reclining Woman" takes us back to the 16th century. Created by an unknown artist, it was originally attributed to Enea Vico but is now believed to be after Battista Franco. The engraving showcases the exquisite craftsmanship of Italian art during this period. The scene depicts a group of mythological figures surrounding a reclining woman. A faun and satyr, both symbolic creatures from ancient mythology, approach her with curiosity and intrigue. The woman lies gracefully on her side, exuding an air of mystery as she gazes into the distance. The composition is enhanced by the use of light and shadow in this monochromatic image. The contrast between dark and light adds depth to the figures' features while emphasizing their nakedness. One figure holds aloft a flaming torch, casting an ethereal glow upon the scene. As we observe this artwork from centuries past at the Metropolitan Museum of Art, we are transported to another time and place. Its enigmatic nature leaves room for interpretation - perhaps it represents desire or temptation? Regardless of its intended meaning, this portrait serves as a testament to the rich heritage of Italian artistry that continues to captivate audiences today.
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