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The Finish, 1886. Artist: Joseph Swain
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The Finish, 1886. Artist: Joseph Swain
The Finish, 1886. This is a companion cartoon to The Start, published on 3rd July 1886. Lord Salisbury, the Leader in the Lords of the Conservative Party, comes through the tape a good head in front of the Liberal Prime Minister, Gladstone. This relates to the General Election recently called after Gladstone had been defeated on the second reading of his Irish Home Rule Bill. The country now had its third administration during the course of 1886. From Punch, or the London Charivari, July 17, 1886
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Media ID 14831963
© The Print Collector / Heritage-Images
Aged Cecil Conservative Conservative Party Defeat Defeated Finish General Election Gladstone Government Heritage Image Partnership Ireland Irish John Tenniel Joseph Swain Liberal Liberal Party Lord Robert Cecil Lord Salisbury Political Event Prime Minister Race Racing Resignation Resigned Robert Arthur Gascoyne Sir John Tenniel Swain Tenniel Union Flag Union Jack William Ewart William Ewart Gladstone Standard
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EDITORS COMMENTS
The Finish, 1886" is a captivating political cartoon that captures the essence of a significant moment in British history. Created by Joseph Swain and John Tenniel, this print depicts Lord Salisbury, the Leader in the Lords of the Conservative Party, crossing the finish line ahead of Liberal Prime Minister William Ewart Gladstone. The artwork serves as a companion piece to "The Start" published on July 3rd, 1886. This cartoon symbolizes the aftermath of Gladstone's defeat on his Irish Home Rule Bill and sets the stage for a General Election. With Lord Salisbury leading by a good head, it signifies a turning point in British politics during this era. The monochrome engraving showcases an aged male figure representing Lord Salisbury triumphantly passing through the tape while holding onto the Union Jack flag. In contrast, Gladstone trails behind him with an expression of resignation on his face. The imagery reflects both victory for conservatives and defeat for liberals. As we delve into this historical artifact from Punch magazine, we are transported back to 19th-century Britain—a time when political events shaped nations and leaders were immortalized through satire and caricature. This print not only highlights key figures such as Cecil and Tenniel but also provides insight into societal attitudes towards government policies like Irish Home Rule. "The Finish, 1886" remains an enduring testament to political rivalries and power struggles within British society during that period. It stands as a reminder of how art can capture complex ideas while offering us glimpses into our past heritage.
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