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The Flagellation of Christ, ca. 1600. Creator: Carracci, Lodovico (1555-1619)
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The Flagellation of Christ, ca. 1600. Creator: Carracci, Lodovico (1555-1619)
The Flagellation of Christ, ca. 1600. Found in the collection of the Musee de la Chartreuse, Douai
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Media ID 36293365
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1600 Bolognese School Calvary Carracci Christ Carrying The Cross Cross Crucifixion Douai Ecce Homo Flagellation Flagellation Of Christ Golgotha Golgotha Hill Jerusalem Lodovico 1555 1619 Man Of Sorrows Mourning Musée De La Chartreuse Passion Passion Of Christ Passion Of The Christ Passion Procession Suffering And Agony Of Jesus The Flagellation Of Christ The Road To Calvary Via Dolorosa Way Of The Cross Whipping
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EDITORS COMMENTS
This artwork, titled "The Flagellation of Christ," is a masterpiece created by the renowned Italian artist Lodovico Carracci around the year 1600. The painting is currently housed in the prestigious Musée de la Chartreuse in Douai, France. This Baroque painting is a testament to the Bolognese School's artistic influence during the Renaissance period. In this powerful composition, Carracci depicts the moment when Jesus Christ is being flagellated, or whipped, before his crucifixion. The scene unfolds on Golgotha Hill, the site of Calvary, outside the walls of Jerusalem. The somber and mournful atmosphere is palpable as Christ, wearing a crown of thorns and a purple robe, is being scourged by several men. The Man of Sorrows, as Christ is often referred to, displays an expression of profound suffering and agony. The painting's intricate details and rich colors bring the New Testament narrative to life. The crowd that has gathered to witness the event is depicted in various stages of emotion, from shock and horror to indifference and callousness. The Ecce Homo, or "Behold the Man," is also present, as Christ is presented to the crowd before his crucifixion. The Passion of Christ, as depicted in "The Flagellation of Christ," is a poignant reminder of the suffering and sacrifice endured for the salvation of humanity. The painting's intricate details and emotional depth make it a significant work of art in the history of Christianity and Western art.
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