A Flemish Proverb, End of 16th cen. Creator: Brueghel, Pieter, the Younger (1564-1638)
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A Flemish Proverb, End of 16th cen. Creator: Brueghel, Pieter, the Younger (1564-1638)
A Flemish Proverb, End of 16th cen. Found in the collection of the Royal Museum of Fine Arts, Antwerp
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Media ID 36258511
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Antwerp Brueghel Early Netherlandish Art Folklore Genremythology Allegory And Literature Good And Evil Pieter Proverb Proverbs Royal Museum Of Fine Arts The Younger 1564 1638 Twelve Proverbs Flemish Proverbs Netherlandish Proverbs
EDITORS COMMENTS
A Flemish Proverb: Pieter Brueghel the Younger's Timeless Allegory of Good and Evil, End of 16th Century, Royal Museum of Fine Arts, Antwerp. This exquisite oil on canvas painting by Pieter Brueghel the Younger, created towards the end of the 16th century, is a captivating representation of twelve Flemish proverbs. The work is currently housed in the esteemed Royal Museum of Fine Arts in Antwerp, Belgium. Brueghel masterfully depicts a lively scene filled with allegorical figures, each embodying a distinct proverb. The painting's title, 'Twelve Proverbs on Boards,' is inscribed at the bottom, further emphasizing the proverbial nature of the artwork. The painting is a rich tapestry of traditional Flemish folklore and mythology. The figures, dressed in vibrant traditional costumes, engage in various activities, each illustrating a proverb. For instance, a man is shown trying to catch a fish with a net while another man holds a basket, symbolizing the proverb 'He who fishes for two catches one.' The painting also features a striking contrast between good and evil, with angels and demons interspersed among the human figures. The allegorical figures are set against a backdrop of a serene landscape, adding to the overall beauty and depth of the painting. Brueghel's 'A Flemish Proverb' is a testament to the enduring power of proverbs and their ability to convey timeless wisdom through art. The painting continues to captivate viewers with its intricate details, vivid colors, and profound symbolism, making it a cherished masterpiece in the annals of early Netherlandish art.
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